Lexon and Jeff Koons Collaborate to Revolutionize Art with Technology
DPA Unveils the Next Level of Instrument Miking With the Enhanced 4099 Core+ Microphone
Nugen Producer is a Treasured Collection in Tre Nagella’s Production Toolkit
Gibson and Michael J. Fox Launch Global Search for Missing Guitar from Iconic 80s Film ‘Back To The Future’
Masque Sound Collaborates with Dayglo Presents to Deliver World-Class Systems Integration for GARCIA’S CHICAGO
Pink Noise Professionals Facilitates First EAW Anya Adaptive Sound System in India
Kramer Unveils Volante, Four New Guitars Engineered for High Performance Players with Premium Design and Components
Epiphone Expands Inspired by Gibson Custom with Eight Reissues of Iconic Vintage Gibson Guitars, New and Upgraded for 2025
NT Series Launch Offers World-class Sound in a Lightweight Active Line Array
Miami producer redefines Latin music with KRK’s signature sound
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Carl’s Place Debuts First High-Contrast Gray Golf Impact Screen
Carl’s Place, an innovative custom indoor golf simulator company, today announced the launch of the first-ever High-Contrast Gray Golf Impact Screen—designed to dramatically enhance image quality in indoor golf environments. With over a decade of experience crafting high-performance projector screens for home theaters, outdoor theaters and large venues, Carl’s Place has earned a reputation for delivering exceptional visual experiences. Now, that same trusted expertise is transforming the golf simulation space. The new gray impact screen leverages proven projection surface technology to provide stunning image quality while maintaining the durability required to withstand repeated golf ball strikes. “Ambient lighting is one of the biggest challenges in indoor golf setups, especially in multi-use or commercial spaces where full light control isn’t realistic,” said Carl Markestad, President at Carl’s Place. “Our High-Contrast Gray Impact Screen combats that by boosting color vibrancy, contrast and clarity—just like we’ve done for years in the home theater world.” Traditionally, golf impact screens are white, which can wash out projected images when used in bright environments. Alternatively, Carl’s Place High-Contrast Gray material helps display deeper, more nuanced blacks—even in rooms with overhead lights or daylight—without sacrificing the bright, vivid colors that are so key to an immersive sim experience. This makes it an ideal solution for both residential golf simulators and high-traffic commercial spaces such as sports bars, golf studios and entertainment venues. And it's not just the gray color that's new. The new high-contrast alternative is part of a newly-overhauled formula for Carl's Place Premium Impact Screens. Markestad adds, "We've been working on honing our material to be the best in the industry. We've tested a number of samples of various formulations of screen material to arrive at the optimum combination of visual and mechanical performance, and I'm really happy with the results." The improved material is the latest example of Carl’s Place bridging the gap between high-end projection and functional, real-world applications. Whether designing screens for backyard movie nights or immersive indoor golf, Carl’s Place continues to lead with innovation, quality and customer-first design. For more information on Carl’s Place and its products, visit www.carlofet.com
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Gibson J-45 Standard and SJ-200 Standard, Handcrafted at Gibson Acoustic in Bozeman, MT
As it celebrates over 130 years of making the most iconic guitars in the world, Gibson has been shaping the sound of music since 1894, when its founder Orville Gibson designed and built his earliest-known musical instrument in his workshop. The innovative and forward-thinking carved top design that revolutionized the mandolin and guitar world delivering a louder, more durable, more playable instrument, remains the DNA of every Gibson. Handcrafted by the expert luthiers of the Gibson acoustic craftory in Bozeman, Montana, Gibson is proud to announce the new Gibson J-45 and SJ-200 Standard acoustic guitars, marking refreshed versions of Gibson’s world-renowned acoustic guitar models in new colors. The Gibson J-45 and SJ-200 Standard acoustic guitars are available worldwide at authorized Gibson dealers, at the Gibson Garage flagship stores in Nashville, and London, and online at www.gibson.com Gibson J-45 Standard: The best-selling acoustic of all time from Gibson, the J-45 is nicknamed "The Workhorse" and first introduced in 1942, this iconic acoustic has become the cornerstone of its round-shoulder, dreadnought line. World-renowned for its full, balanced expression, warm bass, and excellent projection, the J-45 has been refined to carry this legacy to new heights. The Gibson J-45 Standard delivers a sound with incredible dynamic range, warm mids, and a tight punchy bass. The new Gibson J-45 Standard, is available in Vintage Sunburst, or the new Heritage Cherry Sunburst finish, equipped with L.R. Baggs™ VTC under-saddle pickup and preamp, and it is stage and studio-ready from the moment you take it out of the included hardshell guitar case. Gibson SJ-200 Standard: The legacy of Gibson's "King of the Flat-Tops" lives on in the SJ-200 Standard. From its inaugural appearance in 1937, Gibson's SJ-200 set an unmatched standard. The SJ-200 continues a legacy of the world's most famous acoustic guitar, and certainly one of the most popular. The body features gorgeous flame maple and is finished in your choice of stunning Wine Red, or the new Triburst finish. It comes equipped with gold Grover® Rotomatic® tuners, a TUSQ® nut, saddle, and bridge pins, and it is stage and studio ready with an internal LR Baggs™ Anthem mic/pickup system. A Gibson hardshell case is included.
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Top Track Studios unleashes sound innovation with KRK
Now in its fifth year, Top Track Studios has been thriving as one of Music City’s prime recording studios. Designed to enhance the city’s evolving sound, the facility has been acoustically set up with creativity, comfort, and elegance in mind. It boasts a wide selection of top audio equipment, from the well-known classic pieces found in all major studios to the newest technologies available today. Additionally, Top Track Studios prides itself on its commitment to service, ensuring that it respects a musician’s artistry by honoring their needs and vision. “We are heavy on analog processing here at Top Track,” says Studio Owner, CEO, and Lead Engineer Gibran Sponchiado. “Our amazing outboard equipment and microphone collection make us passionate about the type of work we do. Services at the studio include live tracking of full bands; vocal recording and production; mixing; producing solo artists; and recording ADR and voice-over.” To support this vast array of projects at Top Track, Sponchiado relies on a multi-speaker setup, which features a pair of KRK GoAux 4 Portable Studio Monitors for referencing in his control room, as well as creating seamless communication with remote collaborators. Notably, KRK’s parent company, Gibson, has recorded promotional videos for the new Les Paul Studio Guitars at Top Track. “The KRK GoAux sound great and have balanced frequency response, despite the small size,” says Sponchiado. “In a studio, you always need a speaker that can handle loud sounds with extra headroom to avoid distortion on loud transients. When I first sought a small set of speakers for the studio, a friend of mine suggested trying out the GoAux. I bought myself a pair, and they are a great addition to Top Track’s setup.” Sponchiado goes on to explain that his team also relies on the GoAux speakers for sessions with remote clients. “If we are working with a producer in California who wants to direct the recording sessions in real-time, it’s important to have our client’s feed in an alternative set of speakers in order to separate the communication from the actual session material.” Sponchiado also admires the sleek design and modern aesthetics of the KRK GoAux monitors, finding their appearance both appealing and distinctive. “The GoAux matches the vision of the studio and goes great with the wooden elements we have throughout the space,” he adds. “We want to make art here at Top Track, and it is important to have speakers that make an impact on the artists and people who come here, both visually and auditorily. The GoAux speakers are equipped with Bluetooth® capabilities, which allow us to quickly let clients play some of their music from their phones or laptops without having to hook up anything physically.” A devoted audio enthusiast and true maestro of analog gear, Sponchiado blends his wealth of audio expertise with his passion for music and has forged a reputation for excellence over his extensive 20-year career. As a highly skilled Brazilian Producer and Recording/Mixing Engineer, Sponchiado also specializes in serving the region’s Latin communities, bringing a unique cultural perspective and deep understanding of diverse musical styles to his work. Artists looking to elevate their sound will ask to collaborate with Sponchiado because of his commitment to quality and creativity. Sponchiado got his start as an audio engineer in 2004. He earned a bachelor’s in music education from Universidade Estadual do Rio Grande do Sul (UERGS) in Brazil in 2008 and an MFA in recording arts and technologies from Middle Tennessee State University (MTSU) in 2016. Some of his past clients include R&B artist Jeremih, Pedro Capó (Sony Music), Rome Ramirez, Brittney Spencer (Elektra Entertainment), Finesse2tymes (Atlantic Records), rapper Rocko, actress Ariel Winter, and actors Luke Benward and Chris Mason. Record labels Top Track worked for include Sony Music, Universal Music, Warner Music, Atlantic Records, and 300 Entertainment, among others. He’s also done ADR and voiceover sessions for production companies such as Monster Factory (Resident Evil Franchise) and Wolf Studios (Doctor Who). Today, Sponchiado approaches every session with a commitment to precision and quality that ensures each project not only meets but exceeds expectations, making him an asset in the world of sound and for Top Track Studios clients.
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Tele Columbus Extends PŸUR TV Entertainment Serviceto Include Mobile Device Apps Powered by NAGRAVISION and 3SS
NAGRAVISION, a Kudelski Group (SIX:KUD.S) company and the world's leading independent provider of content protection and media and entertainment solutions, today announced that Tele Columbus, one of the leading fiber-optic network operators in Germany with a reach of three million households, has extended the scope of its recently launchedhybrid cable and multiscreen offer, PŸUR TV, to include app support for mobile devices. Following the successful launch and migration of subscribers to the new solution, the new mobile apps are part of a planned service evolution aimed at enhancing consumer engagement and enabling a richer, more immersive, and high-performing viewing experience. PŸUR TV is powered by the NAGRAVISION SaaS-based OpenTV Platform and Security Services Platform tightly integrated with 3SS’ 3Ready app platform, XRoadMedia and SimplyTV. “We’re excited to now complement our existing PŸUR TV service with app support for mobile devices as we continue to deliver on our vision of providing an outstanding entertainment experience for our subscribers,” said Lars Lanske, Head of TV & On Demand Products at Tele Columbus. “Ensuring our subscribers have access to personalized entertainment at any time and on the device of their choice is central to our vision of enhancing traditional linear television, driving service growth and subscriber loyalty.” The PŸUR solution, powered by OpenTV Platform, effectively addresses Tele Columbus’ aggregation challenges, while 3SS’ 3Ready Framework provides complementary technology that delivers a custom-designed and unified experience across hybrid set-top boxes and mobile devices. When these elements are further combined with AI-powered personalized content from XRoadMedia and enhanced metadata from SimplyTV, the result is a seamlessly integrated solution with an optimized feature-set that greatly enhances consumer satisfaction. “We congratulate Tele Columbus on the highly successful launch of their PŸUR TV service and are excited to help further enhance their next-generation service with support for mobile devices,” said Morten Solbakken, Executive Vice President and COO of NAGRAVISION. “Together with our solution partners, we’re helping to redefine multi-service consumer engagement and are looking forward to continuing to support Tele Columbus as their service grows.” “We’re excited to be helping Tele Columbus evolve their consumer offer,” said Kai-Christian Borchers, Managing Director at 3SS. “Through our long-term partnership with NAGRAVISION, our powerful pre-integrated solution is delivering next generation viewing experiences that will enable Tele Columbus to achieve its business objectives while delighting its subscribers.” NAGRAVISION's video streaming solutions help operators drive engagement, retention, and revenue. By enabling a comprehensive streaming ecosystem for service providers, they address critical business needs, effectively monetize content, and provide in-depth user behavior analysis. To learn more about how NAGRAVISION streaming solutions can enhance existing service offerings, visit https://nagra.vision/streaming-solutions/
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PWS Delivers Seamless Audio Support at LATIN MUSIC AWARDS SHOW, PREMIO LO NUESTRO
When Univision presented the 37th annual Premio Lo Nuestro at the Kaseya Center in Miami, Professional Wireless Systems (PWS) was onsite to handle frequency coordination and supply all wireless microphones, IFBs, IEMs and intercom for this year’s Latin music awards show. PWS managed frequency coordination and equipment for the entertainment program, including the red-carpet festivities, livestream and main event. “We have supported this event for 30 consecutive years and continue to evolve our technology package to meet the challenges of the changing RF environment and the needs of the event,” says Jim Van Winkle, General Manager, Professional Wireless Systems (PWS). “Our team continues to provide seamless frequency management and select optimum equipment to make certain the show runs smoothly in Miami’s complex RF environment.” For this year’s production, the PWS intercom team, which consisted of Kasey Gchachu and Justin Van Winkle, ensured seamless communication and performance between the main event and the pre-show red carpet. The team utilized 90 packs of Riedel Bolero wireless intercom. To further enhance performance, PWS provided specially licensed antennas, deploying 20 units throughout the arena, red carpet, media center and backstage dressing rooms. These antennas were strategically placed to guarantee comprehensive coverage across all key areas, for a flawless event. RF mics, IEMs and IFBs were handled by James and Elise Stoffo with James handling overall coordination for the main show and livestream. Stoffo called for the use of seven different frequency bands, which included Shure Axient® Digital G57, K54, X55 and Sennheiser A1 – A4 for mics, G10 for Shure IEMs, Comtek TV5/6 for IFBs and Lectrosonics Block 24 for IFBlue listen-only packs. As television’s longest-running Latin music awards show, Premio Lo Nuestro has been entertaining audiences across the Americas since 1989, featuring dynamic performances and appearances from famous Latin American personalities, including Marc Anthony, Ricky Martin and Pitbull, among others. For more information about Professional Wireless Systems, visit www.professionalwireless.com
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DPA Meets the Versatile Needs of Sound Engineer Phil Wright
Legendary Sound Designer and Engineer Phil Wright has traveled the globe with artists, producers and companies to produce a diverse array of award-winning projects. Wright’s services extend from mixing live sound recordings and providing setup for radio and TV broadcasts, to preparing playback and cue files for film concerts that feature live orchestras. Among his frequent clients are Ministry of Sound, which calls on him for classical orchestra productions and Senbla Live Events, a London-based national touring and promotion company. With such versatile needs, Wright has found his go-to, all-around microphone solutions in DPA Microphones. A longtime user of the brand, Wright recently had the opportunity to be among the first to utilize DPA’s new CORE+ technology, which he deployed at the Barbican in London for a Jonathan Cohen singalong event. “We miked the principal violins and violas with 4061 CORE+ Microphones and put older 4061 models on the other small strings, which was a very useful experiment,” says Wright. “Placing a mic an inch off the bridge of a violin can often require quite a bit of EQ, so I’ve always preferred the 4061s on high strings because of the vocal presence peak, which is also especially useful in theater. The CORE+ version of that mic was even more forgiving in that range.” Prior to the Jonathan Cohen show, Wright utilized his DPA 4011 Cardioids and a pair of 4099 CORE Instrument Mics for the 2024 Gramophone Classical Music Awards, alongside RG Jones Sound Engineering. “The show had elite classical soloists in attendance, three of whom performed that night,” says Wright. “The team has traditionally had difficulty getting the sound of the broadcast to match that of the live production, because the room is too big and not acoustically appropriate for acoustic performances. I suggested we approach the broadcast more like a concert, rather than using the traditional tactics of a corporate awards show. To accomplish that, we needed transparent mics that translated well, while also being discreet, which is what we found in DPA.” The show consisted of a variety of piano-forward performances, including a solo and duets with a vocalist and a violinist. “I put a pair of 4011ES on magnetic mounts inside the piano to give me a close view for PA, and at the back end of the piano I had a pair of 4011Cs,” continues Wright. “Having the wider cardioid pattern of the 4011 in the piano, without the bulk of a traditional preamp, meant we were able to shut the lid while the mics remained practically invisible. This was a game-changer.” Seeing the benefits of using DPA on the piano, the team decided to also equip the violinist with the 4099. “It was the most discreet reinforcement physically possible; you wouldn’t actually know the microphone was there unless it was muted partway through the performance. This is how a classical performance should be. Using a high-quality microphone so close to the source also meant the recording was absolutely second to none,” says Wright. Included among Wright’s other DPA staples are the brand’s 4015 Wide Cardioids and 2011 Twin Diaphragm Cardioids. “For me, there is nothing that quite competes with the clarity and super-low distortion that you get with DPA,” says Wright. “I often choose the brand because of my preference towards having a show not sound amplified, and part of that is not having the coloration that some other engineers desire. I prefer the transparency of the DPA microphones; a lot of the clients who I work for clearly must favor it as well, because they’re rebooking me and the rental companies I use continue to supply my recommended kit.” Wright says he will continue to depend on DPA, whether it be for live, broadcast or immersive recordings. This includes his recent work for “The Final Fantasy VII Rebirth Orchestra World Tour,” which is currently touring through the U.S. and Europe, and “Spider-man: Across the Spider-Verse Live in Concert,” which is set to have its world premiere in June.
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Jesse Zuretti Finds Unbeatable Support From Ultimate Support Systems Apex Keyboard Stands
Jesse Zuretti is a musician and award-winning composer whose passion and work in the game development and music industry speaks for itself. Zuretti got his start composing for Marvel in 2018, earning a few Webby awards along the way. He is also co-founder of Nocturne & Heretic, a full-scope audio production and audio branding team that serves video game and anime studios, bands, record labels and TV/film companies, among others. In 2023, Zuretti signed a contract with Riot Games and is currently composing an original soundtrack (OST) for the studio’s upcoming game “2XKO,” a team-based fighting game with League of Legends and Arcane Champions (to be released in 2025). Passionate about having the best equipment to enhance the creative workflow for his home studio, Zuretti found Ultimate Support Systems’ Apex Series Keyboard Stands to be an unrivaled solution for storage, support and more, and utilizes them for all his projects, including the “2XKO” soundtrack. The composer credits the sleek design of the keyboard stands as one of the standout features. “The stands helped me get my synths in order, and they don’t take up a lot of room; they fit nice and close to my session prep area where I write my compositions,” he says. “Whenever you have to move from one work area to another, you take time away from your creativity, so having the keyboards right there next to me is just really great. This has been paramount to my workflow.” Zuretti also praised how the Apex stands helped set the tone of his home studio and maintain his need for organization. “I can’t work in a studio that is disorganized,” he adds. “The Apex stands hide any visible wires and don’t take up valuable real estate. For so many reasons, there’s nothing else like these Apex stands. With no visible means of support, they produce such a cool, clean look.” Additionally, Zuretti commends the brand for designing the stands with an easy storage and assembly process. “They can be packed away really easily, which is especially beneficial for gigging keyboard players,” he explains. “I moved this year, and disassembling and reassembling the stands was super simple. In my old studio, I had set them up on the floor and was trying to figure out how to make them perfectly stable on my uneven hardwood floors when I noticed the little bumper in the back. I lowered the bumpers, which immediately fixed the stability problem.” In addition to putting the stands to use while working on the “2XKO” soundtrack, Zuretti says he is sure he’ll make great use of them in the future considering their versatility. “The Apex are the only stands that I’ll use,” he says. Zuretti also credits Ultimate Support Systems for its well-thought-out intentions behind the product, adding: “There are many companies that make stands, but Ultimate Support Systems decided to go the distance and make these right. Every little thing about these keyboard stands is well thought out―adding arms that hold the keyboards but also using nice foam to prevent the potential for subsequent scratching and slipping. There are different lengths of arms and clips for managing the cable system, and I could keep going; everything is just perfectly thought out. That’s why I have two of them.”
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BenQ Partners With Carl’s Place for Immersive Golf Simulator Bundle
BenQ, an internationally renowned provider of visual display and collaboration solutions, and Carl's Place, a top provider of golf simulation enclosures, today announced a collaboration featuring the BenQ AK700ST projector and Carl’s Place Curved Golf Enclosure Kit. Bundled in the Carl's EYE XO2 Curved Golf Package, this partnership offers customers a premium golf simulation projector with a curved screen setup to deliver an indoor golf experience with unmatched realism, elegance, and immersion. "At Carl’s Place, we’re always looking for the best technology to help golfers create the most immersive and realistic simulator experience possible,” said Carl Markestad, president of Carl’s Place. “We’re thrilled to partner with BenQ — their focus on golf simulation and the innovation they’ve brought to the market with their new golf series projectors is very exciting. Their commitment to high-quality visuals, ease of setup, and performance makes BenQ projectors a top choice for our customers, and we’re proud to recommend them for an exceptional indoor golf experience." The Carl's EYE XO2 Curved Golf Package features the BenQ AK700ST 4000-Lumen 4K short-throw laser golf simulator projector, Carl’s Place Curved Golf Enclosure Kit, and the top-selling Uneekor EYE XO2 Launch Monitor. Also included in the bundle are a projector mount and Carl's 6x10 HotShot™ Hitting Mat, as well as a subscription license for GSPro golf simulation software. As the first curved screen golf setup retailing at under $22,000, the package was developed to provide users with the tools to set up an immersive golf simulation environment at an affordable price. Innovative Technology for an Immersive Experience Designed with the requirements of golf simulation in mind, the BenQ AK700ST features 4K UHD resolution, 4000 lumens of brightness, and maintenance-free install. Its Auto Screen Fit and Quick Focus intelligent technology automates the setup process to achieve effortless, full-screen projection and seamless transitions for the chosen screen at the touch of a button. With state-of-the-art features such as a motorized lens and advanced sensors, it automatically identifies the screen size, adjusts the zoom, corrects the tilt, and ensures a sharp, perfectly focused image. The AK700ST’s correction and warping features allow for seamless projection onto a curved screen. Curved screen setups mimic human vision to improve depth perception and offer a realistic experience, providing a panoramic, wraparound display that traditional screens lack. This elevates both home and commercial golf simulator installations, offering an unparalleled experience for golfers of all skill levels. A One-Projector Job A common misconception among golf simulator enthusiasts is that a curved screen setup requires multiple projectors. Not only is this not the case, but the AK700ST is uniquely suited for this scenario. Equipped with an onboard camera and motorized zoom and focus, the projector quickly identifies the edges of the impact screen and automatically adjusts the image within seconds, ensuring an accurate setup every time. The AK700ST’s innovative technology enables flawless projection onto curved surfaces with a single unit, simplifying installation and reducing costs while maintaining exceptional visual quality. “Our partnership with Carl’s Place brings a realistic golf experience indoors at an affordable price, making high-end golf simulation technology more accessible than ever before,” said Bob Wudeck, senior director of business development at BenQ. “The advanced warping and correction features of the BenQ AK700ST projector make it ideal for this solution, and its integrated automation tools provide easy installation for both seasoned golf sim users and those who are just starting out. We’re thrilled to be part of this unique opportunity to bring an immersive golf simulation experience to a wider audience.” Carl's EYE XO2 Curved Golf Package is now available for purchase on Carl’s Place website. More information on BenQ is available at here. https://www.benq.com/en-us/business/golf-simulator-projector/ak700st.html
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Margo Price and Gibson Partner to Release the Gibson Margo Price J-45 Acoustic Guitar
As it celebrates over 130 years of music history, Gibson, the iconic global instrument brand, is proud to announce it has partnered with Margo Price, a multiple award-winning artist whose music transcends the boundaries of traditional country, Americana, and classic rock. Introducing the Margo Price J-45 acoustic guitar from Gibson. The new Gibson Margo Price J-45 was made in with significant design collaboration from Margo Price, including the stunning red-tailed hawk design featured on the double pickguards. Handcrafted by the expert luthiers at Gibson acoustic in Bozeman, Montana, the Gibson Margo Price J-45 is available worldwide via Gibson.com, in the Gibson Garage Nashville and London, and at authorized Gibson dealers. “I’ve been playing Gibson guitars for over two and a half decades so it’s an absolute dream come true to have a signature model,” says Margo Price. “This guitar is so special to me, and we really put the time into making it exactly what I wanted. It’s strong but soft, just like me, and has the duality of being durable and lightweight, it’s got a slim body, so my tiny hands can reach everything they need to but it still has a really clear, loud sound that cuts through with a lot of clarity. We have been playing the prototype on stage and writing songs on it for this upcoming album and it’s a real workhorse, just like me.” Last Friday, Margo Price unveiled her new Gibson Margo Price J-45 acoustic guitar live at the Gibson Garage Nashville flagship store thrilling fans with a riveting live performance on her new J-45 guitar. Margo and her band performed her songs "Hands of Time," "Don’t Wake me Up," "Wild at Heart," and "Don’t Let the Bastards Get You Down." Margo Price’s Gibson J-45 acoustic has always been by her side during her rise as a top country artist. Gibson’s new Margo Price J-45 embodies the spirit, vision, and talent that has driven Margo to stardom and continues the nature-themed model tradition of Gibson. The Margo Price J-45 was inspired by her mid-60s J-45, a guitar she’s called “my main baby; my guitar I play all the time.” This high performance J-45 features a lighter-weight and a slightly thinner mahogany body depth for excellent playing comfort, and a red spruce top for tonal superiority. The guitar features traditional hand-scalloped advance X-bracing for a wide dynamic range, a mahogany neck with a Rounded profile and rosewood fretboard, and Grover strap tuners with white buttons. The nut and saddle are bone, and the bridge pins are TUSQ. The Margo Price J-45 arrives in a gorgeous Heritage Cherry Sunburst finish, and comes fully-equipped with L.R. Baggs electronics, so it’s studio and stage ready right out of the included hardshell case. Margo was also inspired by Red-tailed Hawks, which feature prominently on the distinctive double 50s-style pickguards of her new J-45 signature guitar. Margo adds, “Red Tailed hawks have always been symbolic to me. I see them everywhere, and I always have, as they’re common all over the U.S., but to me, they’re otherworldly, and they always come to me in my time of need with messages of strength and perseverance. Red, as a color, relates to love, passion, and even anger, matters that we typically would associate with the heart, but if you look closely, the ends of their feathers are dipped in white, and the bird itself has a spiritual nature. When I’m on long trips, I look out the window and count them alongside the highway. They pass over me at the most kismet times, reminding me to find strength in my vulnerability, and to open up and connect with those around me. I hope this guitar will remind those who play it these lessons as well.” Explore the new Gibson Margo Price J-45 acoustic guitar HERE. https://www.gibson.com/en-US/p/Acoustic-Guitar/Margo-Price-J-45/Heritage-Cherry-Sunburst Margo Price has something to say but nothing to prove. In just three remarkable solo albums, the singer and songwriter has cemented herself as a force in American music and a generational talent. A deserving critical darling, she has never shied away from the sounds that move her, the pain that’s shaped her, or the topics that tick her off, like music industry double standards, the gender wage gap, or the plight of the American farmer (In 2021, she even joined the board of Farm Aid.) On her fourth and most recent full-length Strays, a clear-eyed mission statement delivered in blistering rock and roll, she’s taking on substance abuse, self-image, abortion rights, and orgasms. Musically extravagant but lyrically laser-focused, the 10-song record tears into a broken world desperate for remedy. And who better to tell it? Price has done plenty of her own rebuilding—or as she shout sings in explanation on “Been to the Mountain,” the set’s throat-ripping opener, “I have to the mountain and back alright”—and finds herself, at long last, free. Feral. Stray.
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PK Sound Launches Tx Series Intelligent Point Source Modules
PK Sound, the robotic line array company, has formally released the Tx Series of intelligent multi-purpose point source modules, beginning with the ultra-versatile Tx14 and Tx26. Configured and controlled via PK .dynamics software, the Tx Series complements PK Sound’s Trinity range of robotic line source systems to offer a complete solution for a myriad of mobile and installed applications. ACT Entertainment is the brand’s exclusive North American distributor. “The Tx Series embodies our product philosophy of handling the widest possible array of applications with the fewest individual products,” shares Colton Schmidt, Engineering Manager with PK Sound. “The Tx14 and Tx26 offer premium standalone performance with onboard DSP, AVB networking and unmatched peak SPLs in their respective classes. Combined with our robotic line array solutions, these versatile Milan-ready tools augment a complete system offering with an unprecedented degree of control and optimization through our .dynamics software platform.” Weighing only 25 lb. / 11.8 kg, the ultra-compact Tx26 features controlled 100° conical directivity with a frequency response of 55 Hz-18 kHz and peak SPLs reaching 136 dB. Its pair of vented 6” Tetracoil transducers with custom phase plugs manage low- and mid-frequency response while a 1” HT polymer diaphragm compression driver handles high frequencies. The larger Tx14 offers controlled 50° x 70° directivity with a frequency response spanning 50 Hz-18 Hz and max SPLs of 139 dB, all driven from a premium 14” coaxial transducer with a 3” neodymium diaphragm compression driver. As a floor monitor, the Tx14 has a natural inclination of 35°, which is easily extended to 55° via the onboard uptilt stands. PK Sound’s two-channel VE15 1,400 W Class D amplifier maximizes headroom for each Tx module while maintaining crystal clear audio and exceptional output. Onboard DSP and AVB network end points are routed through Neutrik’s DR Series of IP65-rated connectors for maximum stability and seamless operation via PK .dynamics. Both Tx14 and Tx26 are easily mounted or flown with a variety of rigging accessories via onboard M10 rigging points, making them suitable for both portable and installed applications. “The two new Tx Series point source modules from PK Sound are, pure and simple, among the best loudspeakers I’ve ever heard,” comments Brian Daily, Senior Staff Engineer with OSA International, a design and installation firm that regularly specifies PK Sound solutions. “We’ve deployed the Tx speakers in standalone systems and as various fills in tandem with larger robotic system deployments—they excel across the board. These new PK solutions simplify our inventory without compromising on acoustic performance or the results we can deliver for our clients. We’re proud to have the Tx Series among our growing offering of PK Sound solutions.”
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Gibson Certified Vintage Launches Next Round of Rare, Highly-Collectible Guitars
the iconic American-made and leading instrument brand—has a legacy of making world-class instruments since 1894 when Orville Gibson was crafting archtop mandolins. As a natural extension of Gibson’s passion for its unique instruments and the stories they tell, the history-making Gibson Certified Vintage program offers collectible vintage guitars authenticated and certified directly by Gibson, with a new limited lifetime warranty and a certificate of vintage authenticity. All Gibson Certified Vintage guitars are sold via the Gibson Garage in Nashville, TN, call (615) 933-6000; select models will be available for purchase via https://www.gibson.com/en-US/Certified-Vintage Today, the Gibson Certified Vintage program premieres the next collection of guitars: a 1956 Gibson Les Paul Standard, 1957 Gibson ES-225TD, 1958 Gibson Les Paul TV Junior, 1964 Gibson SG Special, and a 1966 Epiphone Century E422T. “P-90s have been the sound of Gibson electric guitars for the better part of a century, and this release is a small celebration of that,” says Mitch Conrad, Gibon Certified Vintage Manager. “I'm particularly fond of the 1957 Gibson ES-225TD; it's this great combination of the specs of an ES-295 in the thinline package of an ES-330. Don't be fooled by how clean these guitars are—they're a joy to play, and they sound fantastic.” A world first, the Gibson Certified Vintage collection offers collectors an incredible opportunity to own extraordinary instruments, sourced and authenticated by Gibson. Gibson Certified Vintage guitars feature one-of-a-kind Golden Era blue-chip guitars, unique, one-of-a-kind prototypes, celebrity-owned guitars, as well as 70s and 80s models directly from the Gibson Vault. In an industry first, all Gibson Certified Vintage guitars are sold with a brand new limited lifetime warranty. All guitars arrive with a detailed letter of appraisal confirming the provenance and history of the instrument, a certificate of authenticity signed by Gibson’s Certified Vintage Manager, Mitch Conrad, and an array of unique extras. Explore the next guitars to debut in the Gibson Certified Vintage collection below and check back for refreshed vintage offerings as each guitar is sold; for all details, visit https://www.gibson.com/en-US/Certified-Vintage
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Warren Haynes and Gibson Partner to Release the Gibson Warren Haynes Les Paul Standard
Gibson, the iconic leading global instrument brand, has shaped sound across generations and genres of music, becoming one of the most relevant, played, and loved brands around the world. With instruments that inspire Gibson’s legendary artists and nurture new players transcending generations and genres of music, Gibson has emerged as an industry leader by offering award-winning guitars and new ways for artists to connect and grow. Visionary GRAMMY® Award-winning artist Warren Haynes is a cornerstone of the American music landscape, lauded as one of the most formidable and prolific guitarists, vocalists, songwriters, and producers of the modern era. Gibson is proud to announce its partnership with Warren Haynes for the release of his first signature guitar, the Gibson Warren Haynes Les Paul™ Standard. The Warren Haynes Les Paul Standard from Gibson is available worldwide now at the Gibson Garage Nashville and London, at authorized Gibson dealers, and on Gibson.com “I’ve always been a Gibson guy—I got hooked on that sound as a teenager and have been playing them ever since,” says Warren Haynes. “Needless to say, I’m honored to be partnering with Gibson to release my Signature Les Paul Standard. Being traditionally a humbucker guy, I’m really loving the hum-free P-90s. It’s a really cool tonal change, and the boost offers even more tonal options. I’m really enjoying playing this guitar on stage and looking forward to using it in the studio. I’m equally psyched that other guitar players will now have the opportunity to own and play one as well.” Warren Haynes effortlessly cross-pollinates genres and unfurls solos that broil with passion in his distinctive, signature playing style. Renowned and highly regarded for his work in rock, blues, and Americana music through his work with the Allman Brothers Band, as a founding member of Gov’t Mule, the leader of The Warren Haynes Band, a solo artist, and as a session guitarist and sideman for numerous famous friends and groups. As one of music’s most treasured storytellers, Haynes and his artistry have led to thousands of memorable performances and millions of album and track sales. A master of multiple styles and genres, Warren has also shared his expertise with other players via multiple instructional videos. A self-described “Gibson man,” Warren has used several Gibson models throughout the years, including his cherished ’61 ES-335™, among others. The new Warren Haynes Les Paul Standard is another standout, with features tailored specifically to Warren’s preferences, including a mahogany body with a plain maple cap, a 60s Cherry finish, a mahogany neck with a chunky 50s vintage profile like all of Warren’s favorite Les Pauls, a rosewood fretboard with acrylic trapezoid inlays and 22 medium jumbo frets, a pair of P-90 DC pickups that deliver hum-free performance with all the sonic nuances of traditional P-90 DC pickups, and a 15 dB boost that can be activated via a mini toggle switch. The quick-access battery compartment is mounted into the control cover on the rear, and the guitar will still function, even if the battery dies, by simply flipping the mini toggle switch to the off position. Bearing the traditional looks and feel of a 50s-era Les Paul coupled with modern features like hum-free P-90 DC pickups and an onboard boost, the Warren Haynes Les Paul Standard bridges modern and traditional and is a great choice for players who, like Warren, want both a traditional appearance and modern functionality in one outstanding guitar. Explore the Warren Haynes Les Paul Standard from Gibson HERE. https://www.gibson.com/en-US/p/Electric-Guitar/Warren-Haynes-Les-Paul-Standard/60s-Cherry Last fall, Warren Haynes released his fourth solo album, Million Voices Whisper, via Fantasy Records. Haynes sounds as energetic and focused as ever on the self-produced album, powering through an 11-song set of soulful blues-rock, his first solo collection in nearly a decade. Accompanying Warren on the collection are members of his current all-star band, including John Medeski on keyboards, longtime drummer Terence Higgins (of the Dirty Dozen Brass Band), and Gov’t Mule bassist Kevin Scott. Million Voices Whisper also features guest appearances from his Allman Brothers Band compatriot Derek Trucks, whose unmistakable guitar sound toughs up three tracks on the album that were co-produced with Haynes, and his Last Waltz tour co-stars Lukas Nelson and Jamey Johnson, who are featured on the forceful “Day Of Reckoning.” Joining Haynes in the studio for the first time since the final sunset of the ABB, one of the featured tracks with Trucks on guitar is “Real Real Love,” a song initially co-written with Gregg Allman that Warren finished in Allman’s style and methods as if Gregg were singing it to honor his friend. Buzzing through the chart-topping album is the question of how to make things better—in love, in life, in the world—led by Haynes’s soaring vocals and the poignancy of his six-string mastery. Million Voices Whisper opens with “These Changes,” a co-write with Trucks, leading into “Go Down Swinging,” co-written with Johnson, which features a horn section and a Van Morrison vibe. Then, there’s the soulful power ballad “Till The Sun Comes Shining Through,” driven by Warren’s impassioned vocals and slide guitar skills. The expressive pipes of touring backup singer Saundra Williams are also heard on multiple tracks, including the lead single “This Life As We Know It,” which reached Top 15 on the Americana singles chart and Top 40 at Triple A radio. Among the four bonus tracks on the deluxe CD version is a new version of the Trucks-Haynes composition “Back Where I Started” featuring Warren on lead vocals and slide guitar and the power trio of Haynes, Nelson, and Johnson covering the CSNY classic “Find The Cost Of Freedom” into an extended version of “Day Of Reckoning.” Million Voices Whisper combines the eloquent musicianship of a triple-threat blues-rocker with the glowing spirit of a vital creative artist at the peak of his powers. Listen to Warren Haynes’s new album Million Voices Whisper https://found.ee/WHMillionVoicesWhisper, and catch Warren Haynes on the road throughout 2025 in the following cities https://warrenhaynes.net/tour/ [WARREN HAYNES TOUR DATES] Unbroken Chain: A Celebration of the Life and Music of Phil Lesh March 17 – Port Chester, NY @ The Capitol Theatre Warren Haynes Band April 4 – Savannah, GA @ Lucas Theatre at 2025 Savannah Music Festival *SOLD OUT April 5 – Columbia, SC @ Township Auditorium (rescheduled from 9/28) The Brothers April 15 – New York, NY @ Madison Square Garden April 16 – New York, NY @ Madison Square Garden Warren Haynes Band – Million Voices Whisper Spring Tour April 24 – Seattle, WA @ Neptune Theatre April 25 – Eugene, OR @ McDonald Theatre April 26 – Medford, OR @ Holly Theatre April 27 – Portland, OR @ Roseland Theater April 29 – Stateline, NV @ Harrah’s Lake Tahoe – South Shore Room May 1 – Redding, CA @ Cascade Theatre May 2 – Rocklin, CA @ Quarry Park Amphitheater May 3 – San Francisco, CA @ The Fillmore May 4 – Santa Rosa, CA @ Luther Burbank Center for the Arts – Ruth Finley Person Theater May 6 – Monterey, CA @ Golden State Theatre May 9 – San Luis Obispo, CA @ Fremont Theater May 10 – Ventura, CA @ Majestic Ventura Theater May 11 – Los Angeles, CA @ The Belasco May 14 – San Diego, CA @ Humphrey’s Concerts by the Bay May 15 – Tempe, AZ @ Marquee Theatre May 16 – Tucson, AZ @ Fox Theatre Tucson Warren Haynes Band May 23-25 – Thornville, OH @ Dark Star Jubilee June 8 – Morrison, CO @ Red Rocks Amphitheatre (supporting Big Head Todd and the Monsters 40th Anniversary event) June 14 – Syracuse, NY @ New York State Blues Festival June 26-28 – Eau Claire, WI @ Blue Ox Music Festival Warren Haynes Band – European Dates July 3 – Bonn, Germany @ KUNSTRASEN GmbH July 4 – Milan, Italy @ Villa Casati Stampa July 6 – Sperken, Austria @ Castle Clam July 11-13 – Weert, Netherlands @ Bospop Gov’t Mule – Festival Appearance July 23-27 – Floyd County, VA @ FloydFest 25~Aurora Gov’t Mule and Tedeschi Trucks Band Co-Headlining Shows September 3 – Toronto, ON @ Budweiser Stage September 5 – Saratoga Springs, NY @ SPAC September 6 – Mansfield, MA @ Xfinity Center September 9 – Chicago, IL @ Huntington Bank Pavilion September 10 – Clarkston, MI @ Pine Knob Music Theater
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Los Angeles’ iconic Sound Factory installs custom mains with KRK and legendary Acoustician George Augspurger
Originally opened in the early 1960s as Moonglow Records, The Sound Factory name was coined by Producer David Hassinger, who purchased the studio in 1969. A little over a decade later, the studio was sold to Sunset Sound Recorders’ owners Paul and Tutti Camarata, who ran the facility until it was sold in 2017. After 60 years of serving the music industry, LA’s Sound Factory boasts a history of working with some of the world’s greatest artists. Among these are Marvin Gaye, the Jackson 5, and Linda Ronstadt in the 60s and 70s; Sheryl Crow and Red Hot Chili Peppers at the turn of the century; Doja Cat, SZA, and Mark Ronson, as well as artists currently working with Sound Factory’s own record label. In an effort to keep up with the changes in technology and musical styles, the studio’s current leadership sought to upgrade the space while still paying homage to its history. In doing so, they connected with George Augspurger to create new mains for the facility’s two recording studios. The legendary acoustician and speaker designer had previously designed aspects of the Sound Factory during its expansion in the 1970s, and his experience in the studio was a perfect complement to the upgrade. After designing the new custom mains, Augspurger worked in collaboration with Craig Hockenberry, Gibson Director of Product Development, Pro Audio, to have the speakers built. Augspurger’s expansive pro audio knowledge, coupled with Hockenberry’s expertise in designing and building Gibson’s KRK monitors, proved to be ideal for this unique project. “After they had run the studio for about a year, [the present owners] asked me what would be involved in designing custom monitors for Studio A, the original room,” says Augspurger. “The room itself was one that I had designed, but it [now] had standard commercial monitors in it. So, using the components of the so-called ‘Augspurger monitor,’ we created a design for the room. Then, more recently, they wanted to upgrade the monitors in Studio B. The same design was physically able to be accommodated [in both rooms,] so we went ahead and [designed] the retrofit in Studio B as well.” While the process was straightforward, designing, creating, and deploying Sound Factory’s new mains was a labor of love that evolved over three years. “The main thing [to consider] in designing a custom monitor is that you have the freedom to make the cabinet dimensions fit the space available,” adds Augspurger, with regards to the unique soffits from the original monitors. “I know how to design speaker cabinets, so that part was easy. The choice of components is done in cooperation with the owner, the people who will be using the speakers. This is the first installation I’ve done with KRK…and all I can tell you is there were absolutely no glitches, no problems. They delivered what I asked for.” For Gibson/KRK’s role in the project, Hockenberry and his team set to work building the monitors to Augspurger’s specifications. “We worked with George on the monitors from the beginning, which was a real pleasure,” says Hockenberry. “We had the designs worked out by the second call with him, and we built both pairs in our prototype shop here in Nashville. Once we had George’s seal of approval on everything, we coordinated with Sound Factory Studio Manager Cameell Hanna to get the speakers sent to their new home in Hollywood, where George helped oversee the final installation.” Like nearly all of Augspurger’s prior speaker designs, the custom pairs of KRK mains at Sound Factory feature a wooden, high-frequency horn. “The actual speaker components, such as the high-frequency drivers and woofers, are standard commercial products,” he explains. “The woofers are made by TAD, the professional products division of Pioneer, which I have used in most of my custom installations for the past 20 years. The high-frequency driver, which is comprised of beryllium, is made in the U.S. by Radian.” The connection between Augspurger and Gibson/KRK was not one of happenstance. Instead, it was the result of many conversations Hanna had with his friend and colleague Rae Vinton, who leads Entertainment Relations for Gibson LA. “I told Rae about the upgrade and working with George, and she immediately asked if we wanted to do something with KRK,” says Hanna. “We already collaborate a lot together, so I thought it would be perfect.” For Hockenberry, it was a symbiotic relationship that evolved into an incredible project. “Sound Factory is an amazing space that has produced innumerable legendary hits from countless icons; that, combined with George’s status in the industry, really solidified our decision to move forward with this project,” he says. “KRK represents premium sonic quality, and these custom mains emphasize the capabilities of our engineering team to create solutions that compete with other high-end manufacturers. We are humbled that KRK is now a part of the Sound Factory legacy and the many creative masterpieces that will be coming out of those rooms.” “The funny thing about this place, for better or worse, I’m still not sure which it is, is that everything here is completely custom, even the general ‘living’ spaces,” explains Hanna. “Every aspect of this place is unique, nothing is a standard size, including the speaker system, so it’s difficult when we want to change something. But we wanted to honor the custom nature of the facility with our upgrades, and working with George, Craig, Rae, and the entire Gibson/KRK team, we’ve been able to accomplish that.”
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Gibson Certified Vintage Launches First 1980s Collection Featuring One-of-One Prototypes
Gibson--the iconic American-made, and leading instrument brand--has a legacy of making world-class instruments since 1894 when Orville Gibson was crafting archtop mandolins. As a natural extension of Gibson’s passion for its unique instruments and the stories they tell, the history-making Gibson Certified Vintage program--offers collectible vintage guitars authenticated, and certified directly by Gibson, with a new limited lifetime warranty and a certificate of vintage authenticity. All Gibson Certified Vintage guitars are sold via the Gibson Garage in Nashville, TN, call (615) 933-6000; select models will be available for purchase via https://www.gibson.com/en-US/Certified-Vintage. Today the Gibson Certified Vintage program premieres the next collection of guitars, a 1986 Gibson US-1 Prototype, 1985 Gibson Spirit II XPL Prototype, 1985 Gibson Explorer XPL Prototype, 1984 Gibson Q200 Prototype, 1983 Gibson Q Series Prototype, 1984 Gibson Q300 Prototype, 1987 Gibson U-2, and a 1983 Gibson Challenger Prototype. A world-first, the Gibson Certified Vintage collection offers collectors an incredible opportunity to own extraordinary instruments, sourced and authenticated by Gibson. Gibson Certified Vintage guitars feature one-of-a-kind Golden Era blue-chip guitars, unique, one-of-a-kind prototypes, celebrity-owned guitars, as well as 70s and 80s models directly from the Gibson Vault. In an industry first, all Gibson Certified Vintage guitars are sold with a brand new limited lifetime warranty. All guitars arrive with a detailed letter of appraisal confirming the provenance and history of the instrument, a certificate of authenticity signed by Gibson’s Certified Vintage Manager, Mitch Conrad, and an array of unique extras. “Our legacy is rich with innovation, and this collection showcases a fascinating era of unique, experimental designs,” says Mitch Conrad, Gibson Certified Vintage Manager. "These prototypes represent the moment an idea for a new guitar becomes a playable instrument in the physical world. Early iterations often feature unique details that never make it to production, but highlight the ingenuity and problem-solving efforts of the product development team. It’s fascinating to see the in-between steps that lead to the instruments we know and love. One standout is the Q Series Prototype-the missing link between the Victory and Q Series guitars, with features from both instruments and an unreleased Gibson vibrato system. For the first time ever, fans have the chance to own these wildly cool 80s prototypes, direct from the Gibson Vault.” Explore the next guitars to debut in the Gibson Certified Vintage collection below and check back for refreshed vintage offerings as each guitar is sold; for all details, visit https://www.gibson.com/en-US/Certified-Vintage
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ACT’s ProCo Sound Provides Audio Backbone for the Pageant and Delmar Hall
Sean Pierce, head of production for The Pageant and Delmar Hall in St. Louis, Missouri, understands the importance of utilizing quality gear. After more than a decade in the music industry, Pierce has seen first-hand the difference that well-built, durable cables, stage boxes and other audio equipment can make for a show. With a reputation for being one of the best concert halls in the country, The Pageant, a 2,000-capacity venue, has been the heartbeat of live performances in the city since 2000. Located next door is Delmar Hall, a 750-seat venue that offers a more intimate setting for music lovers. Both host a wide range of performances, from comedians and podcasters to the biggest acts in music. Despite their size differences, the venues provide flawless experiences for artists and fans alike. “Both are vibrant spaces for any kind of performance,” says Pierce. The ability to manage these varied events with top-notch audio and stage equipment is critical, and that’s where ACT Entertainment’s ProCo Sound comes into play. Pierce’s relationship with ProCo began when he joined the team at Delmar Hall, which is equipped with ProCo XLR cables, splitters and stage boxes. Over the years, the brand’s reputation for durability and reliability proved indispensable in keeping the shows running smoothly. With years of experience across different venues and tours, Pierce has seen his fair share of audio equipment failures, but with ProCo, that’s never been the case. “We’ve had many of our ProCo cables at The Pageant for at least 10 years, probably closer to 15, and they’re still in pristine condition,” Pierce notes. “We never have to worry about cables failing.” When it comes to cables, the real value lies in the ability to withstand the stresses of live performances, constant movement and the wear and tear of heavy use. That’s where ProCo’s superior build quality shines. The cables aren’t just durable, they last for years, performing consistently without the risk of sudden failure. “You don’t realize how much a bad XLR cable can degrade the sound until you’ve had to deal with one,” explains Pierce. “Using poor-quality XLRs could lead to sound degradation due to loosened connections or electromagnetic interference, but these are issues that simply don’t occur with ProCo gear. The quality of the materials used for the ProCo cables means we don’t have to think twice about whether the signal will drop or not.” This reliability also benefits the performers and engineers who come through the venues. While artists might not comment on the cables specifically, their confidence in the quality of the sound is apparent. As Pierce explains, “When the engineers see that we have ProCo gear in-house, they know they’re getting quality equipment; and when the artists see the ProCo logo backstage, they know they can trust our setup." Whether it’s ProCo XLR cables, splitters or DI boxes, the minimal maintenance required with the equipment has been a game-changer for Pierce’s team. This seamless performance doesn’t just help keep things running in the background—it’s about having a system you can trust when things get hectic. The longevity and quality of the gear make life easier for the crew and better for the artists. Though it all started with cables, Pierce’s venues now also utilize ProCo Sound stage boxes and snakes, from ACT Entertainment. At Delmar Hall, for example, the venue uses 12-channel and 24-channel snakes, equipment that’s essential for managing complex live setups. “These ProCo stage boxes, like the cables, are known for having superior build quality, and have lasted for years without needing repair or replacement,” continues Pierce. “It’s the same story as the cables — we don’t have to worry about the boxes failing; they’re solid.” While many fans might not know it, the crews and artists who grace the stages at Delmar and The Pageant have a strong appreciation for the high-quality gear. It’s easy to forget the impact of top-tier cables when everything is running smoothly, but for Pierce and his team, the ProCo Sound gear forms the foundation that allows them to create flawless experiences. With this gear backstage, Pierce and his team can focus on what matters most, delivering exceptional experiences for everyone involved. From small, local acts to high-profile international tours, the reliability of the ProCo Sound cables and stage boxes play a crucial role in keeping the music flowing seamlessly from stage to audience, night after night. With upcoming shows featuring big names like Billy Gibbons of ZZ Top, Remy Wolf, G-Eazy and Bill Murray, The Pageant and Delmar Hall are set for a year of unforgettable performances.
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Pedro Pineda Specs CV380 4K Cameras for Various In-Venue Concert Experiences
Pedro Pineda is an independent live events contractor who most recently served as the video director for the rock band Blink-182. He has also directed other well-known artists such as Jelly Roll, Machine Gun Kelly, Dua Lipa and Twenty One Pilots. He utilizes a variety of gear and equipment, including Marshall Electronics CV380-CS Compact 4K30 Camera, to enhance the in-venue experience when working with bands during live performances. The Marshall CV380 cameras portray the energy and excitement of Pineda’s live shows and plays a crucial role in delivering an immersive experience for fans. “The cameras capture content for the live screens at each venue so audiences can watch aspects of the show up close, no matter where they are seated. The cameras are also recording, so the content can be pared out for social media purposes or archived and preserved for later use,” he explains. “The Marshall CV380 cameras are also sometimes used for streaming and live broadcasting of events. At large festivals there is usually some form of streaming or an actual TV broadcast.” Pineda learned about Marshall during his extensive travels on concert tours, spending countless hours on the road while immersing himself in the live music scene. “I have used various Marshall cameras throughout the years,” he says. “The CV380 is perfect for my needs; its impressively large chip allows me to capture wide video shots and unique points-of-view, and the camera color seamlessly complements my other gear.” The last setup that Pineda created for Blink-182 included four CV380 cameras positioned around the drum set. One camera was placed behind it, aimed toward the crowd to capture the action. Another camera was positioned at the kick pedal, looking up at the drummer. The remaining two cameras were positioned at 45-degree angles on both the left and right sides, aimed across the drumheads to capture the performance. “The camera setup captures pretty much everything,” adds Pineda. “They are just small enough where the camera is not blocking the audience view or causing distraction.” Pineda has incorporated Marshall cameras into a range of applications for live performances, utilizing their high-quality imaging capabilities to enhance the visual experience for audiences. These cameras have played a crucial role in capturing dynamic moments on stage, allowing fans to see every detail of the performance from various angles and perspectives. “I have used them during other tours on keyboards and table steel guitars, usually for anything that’s up close where you wouldn’t want a camera operator sitting right there,” says Pineda. “And often they’re also used for reference when the camera feed is not for the actual broadcast program, but instead is used for guitar and drum techs or anyone who’s offstage and needs a view. So, one camera is stationary where techs can look up and see their artists. A lot of times the CV380s also double as playback cameras.” Pineda has consistently been impressed by the durability and user-friendliness of Marshall cameras. As he travels extensively, often setting them up in a variety of locations, the cameras robust construction handles the rigors of the road exceptionally well. Each time he uses them, the CV380s intuitive design allows for quick and hassle-free setup, making them a reliable choice every time. “They have been great, and I have never had one fail on me,” shares Pineda. “The one-push adjustment is also a standout feature for me. It is easy to color balance, and the auto-features are nice. The CV380’s are easy to travel with and great at enhancing your overall production value.” The Marshall Electronics CV380-CS is a compact, true 4K camera built around an 8.5-Megapixel, 1/2.5-inch sensor that delivers ultra-crisp, clear true 4K resolution in 4096x2160p. The CV380-CS contains a single 6G (BNC) output with 6G/3G/HD-SDI capability and a simultaneous HDMI output. The flexible CS/C lens mount offers a wide variety of lens options with DC Auto-Iris plug-in ability. The CV380-CS is a versatile and powerful camera solution in an easy-to-understand design. Remote adjust and match control is delivered via RS485 (Visca) or an OSD menu joystick on a breakout-cable. A wide range of picture adjustment settings are available such as paint (red/blue), white balance, gain control, pedestal (blacks), exposure, gamma and more. The CV380-CS delivers ultra-clear 4K or UHD video while maintaining a discrete presence. The cameras can capture wide 4096x2160 (4K) video and pull HD frames in post, or as a flexibility spill-over shot, or for unique points-of-view and more.
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Gibson Custom Announces the Eric Clapton 1958 Les Paul Custom
For over 130 years, Gibson has shaped sound across generations and genres of music, becoming one of the most relevant, played, and loved guitar brands around the world. Gibson Custom is proud to unveil its next global release in homage to two of the most legendary, successful, and respected guitarists of all time, Eric Clapton and Albert Lee. Introducing the Eric Clapton 1958 Les Paul Custom, a piece of music history that’s directly associated with two of the world’s foremost guitarists. The guitar comes with a second pickguard, hand-signed by both Eric Clapton and Albert Lee and presented in a collectible wooden display case. The Gibson Custom Eric Clapton 1958 Les Paul Custom is available now for early access via Guitar Center, the Gibson Garage Nashville and London, and on Gibson.com. It will be available worldwide at authorized, premium Gibson dealers starting on February 25. Performing with the Yardbirds, John Mayall & The Bluesbreakers, Cream, Blind Faith, Derek & The Dominos, Delaney & Bonnie, and as a solo artist, Eric Clapton has inspired countless players. Clapton has won 18 GRAMMY® Awards, received the Brit Award for “Outstanding Contribution to Music,” four Ivor Novello Awards from the British Academy of Songwriters, Composers, and Authors, including a Lifetime Achievement Award, and was awarded a CBE for services to music. He is the only three-time inductee to the Rock and Roll Hall of Fame, as a solo artist and as a member of the Yardbirds and Cream. He has sold over 100 million records worldwide, making him one of the best-selling musicians of all time. He is the co-founder and a patron of the Crossroads Centre, a substance abuse rehabilitation facility on Antigua that has helped countless people overcome substance abuse. Explore the Gibson Custom Eric Clapton 1958 Les Paul Custom HERE. https://www.gibson.com/en-US/p/Electric-Guitar/Eric-Clapton-1958-Les-Paul-Custom/Ebony During Cream’s first American tour, Eric purchased a three-pickup 1958 Les Paul Custom, serial number 8 6320, which he used on Disraeli Gears, multiple tours, including with Delaney & Bonnie, and on and off throughout the rest of the 1960s and 70s. In 1979, he gifted the guitar to fellow legendary guitarist Albert Lee, who continues to be inspired by it and uses it to this day. Now, Gibson Custom is proud to introduce the Eric Clapton 1958 Les Paul Custom, a loving tribute to Clapton's original Cream-era 1958 Les Paul Custom. This special limited run uses ultra-precise Murphy Lab aging techniques to aid in handcrafting a reproduction of this legendary guitar. Every detail has been thoughtfully crafted, from the exact playing wear to the sonic character. It features a hand-selected, ultra-lightweight, one-piece, all-mahogany body, a mahogany neck with an ebony fretboard with Custom mother-of-pearl block inlays and 22 historic medium jumbo frets, and the same neck profile as the original guitar. The hardware is aged gold, including the Grover® tuners, ABR-1 bridge, Stop Bar tailpiece, and pickup covers. The three pickups are unpotted Custombuckers, with the middle pickup mounted with the screws oriented towards the neck, just as they are on the original guitar. The volume and tone controls use CTS® 500k audio taper potentiometers that are hand-wired to paper-in-oil capacitors, while the Murphy Lab aging simulates the exact aging and wear patterns that Eric and Albert created. Watch/share the new video for the Gibson Custom Eric Clapton 1958 Les Paul Custom HERE. Only 150 of these exceptional guitars have been handcrafted by the expert luthiers of the Gibson Custom Shop and Murphy Lab in Nashville, Tennessee. The custom Duck Brothers-inspired case includes the guitar, along with a second pickguard, signed by both Eric Clapton and Albert Lee in a collectible wooden display case, a Certificate of Authenticity booklet with a photo by Chuck Stewart, a black leather Archive Series strap, and a Gibson Custom switch plate medallion. Here is your opportunity to own a piece of music history owned and played by two guitar icons.
