On April 29, 2025, a new chapter in virtual artistry was written. South Korea–born creative label JUNKY CREAM unveiled OCEAN, the second member of its virtual group BRAZY, through the debut single “BAD THINGS.” But this was more than a song—it was a cultural moment. A new kind of intellectual property was born, fueled not by fleeting trends, but by the intersection of emotional precision and bleeding-edge technology.
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A: OCEAN is no ordinary virtual avatar. She’s a visual-emotional artifact—crafted to embody fluidity, depth, and the dynamic tension of human feeling. As a core member of BRAZY, she carries her own identity, narrative arc, and creative mission. She doesn’t just represent emotion—she physicalizes it, offering audiences a visceral way to feel art rather than simply watch it.
Q: What sets JUNKY CREAM apart?
A: Based between Seoul and California, JUNKY CREAM is a four-person creative powerhouse that builds IPs with surgical precision and full in-house control—spanning modeling, music, choreography, branding, and post-production. What truly differentiates them is their command of AI-directed creative production.
They don’t merely use AI—they direct it. From voice synthesis to motion capture, choreography translation, texture design, and multi-layered video editing, JUNKY CREAM wields machine learning as an artistic tool. They are among the global vanguard shaping the next frontier of creative direction through AI.
Q: Tell us about “BAD THINGS.”
A: “BAD THINGS” marks OCEAN’s official debut and BRAZY’s latest evolution. The track explores emotional contradiction—where beauty meets discomfort and light intersects with shadow. Inspired by Spider-Verse director Alberto Mielgo, the team employed choppy animation and AI-enhanced visuals to add depth and texture. Some individual frames took more than 8 hours to render—demonstrating the team’s obsessive attention to emotional detail.
Q: The choreography seems different—why?
A: Because BRAZY’s dance language is different. Their style is called emotional choreography—movement co-designed with music to express internal states, not just external shapes. JUNKY CREAM collaborated with industry icons like Sammy (SM, JYP, HYBE), LA-based JIN, world dance champion NUPCHII, and rising Korean choreographer SONJU. The result? OCEAN doesn’t perform emotion—she becomes it.
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A: Produced by emerging talent DAF and mixed by Grammy-winning engineer David “Yungin” Kim, the track fuses American hip-hop grit with K-POP’s layered precision. JUNKY CREAM doesn’t live within genre—they thrive at the edges, in the friction between sounds. That’s where new sonic identities are born.
Q: 120+ pieces of content for one release? Why?
A: Because OCEAN is not just a character—she’s a living ecosystem. The “BAD THINGS” rollout includes mood films, cinematic edits, studio experiments, and dynamic teasers. Each piece is a puzzle fragment within a larger, immersive IP world. JUNKY CREAM isn’t releasing content. They’re architecting a multi-sensory narrative universe.
Q: How is the global community responding?
A: From Tokyo to Brooklyn, subcultures are leaning in. Fashion tastemakers, digital art collectives, and dance communities are already embracing BRAZY’s energy. Rather than chase mass virality, JUNKY CREAM cultivates high-fidelity fandoms—passionate, intentional, and deeply resonant. OCEAN isn’t a product of one country. She’s a new cultural texture.
Q: What’s next for JUNKY CREAM and BRAZY?
A: Two more BRAZY albums will drop in July and August 2025—but that’s only the beginning. JUNKY CREAM is expanding into virtual fashion, AI films, immersive exhibitions, and interactive storytelling. Their long-term vision? To build Asia’s next entertainment superpower, modeled not on trends, but on emotional innovation and AI fluency.
They plan to go public on KOSPI and NASDAQ by 2035. Their mission isn’t just to entertain—it’s to transform how the world builds, feels, and interacts with creative IP.
Q: Where can people experience BRAZY and OCEAN?
A: Dive into JUNKY CREAM’s official YouTube, website, Instagram, and TikTok channels. This isn’t just content—it’s a participatory art movement. And it’s just getting started.
A Korean Innovation Story. A Creative Revolution in Motion.
This is BRAZY. This is JUNKY CREAM.
