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24 Hours of Le Mans: When the drivers ask the Porsche 911 RSR to dance

It’s race time: At more than 300 km/h, the Porsche 911 RSR hurtles down the D338 road from Le Mans towards Tours. In the two chicanes, which are closed off for everyday traffic and are a favourite spot for speed cameras, the ca. 515-hp GTE sports car takes the kerbs hard. Then, as fast as possible through the Mulsanne Corner and Indianapolis to the famous Arnage – the slowest passage of the 13.626-kilometre Circuit des 24 Heures. Exiting out of Arnage, the driver hits the throttle early, and now needs every ounce of courage and experience. In a few seconds, the Porsche Curves loom into sight. Five ultra-fast direction changes that are both loved and feared by drivers, and represent the most spectacular section of the French endurance classic. Le Mans is known around the world for its long straights and famous passages. Corners like Tertre Rouge and iconic features like the Dunlop Bridge get adrenalin pumping in the hearts of endurance fans. However, there is another section that features even higher on the spectators’ list of favourites: the Porsche Curves. Originally, only the long right-hander (Turn 23) after the Arnage curve was given the name Porsche. Now, this title also encompasses Virage du Pont, Esses du Karting and Virage Corvette. The flowing combination of two right-hand and three left-hand turns throws major challenges at teams and drivers – when it comes to downforce and grip, the racing cars reach their absolute limit. “It’s definitely the most demanding passage at Le Mans – and it’s also the one that is the most fun for drivers,” says Jörg Bergmeister. The long-standing works driver and today’s Porsche brand ambassador scored a GTE-Am class win at Le Mans in 2019 with the Project 1 customer team. “Although the cars are set-up for low downforce for the long straights, we shoot through the curves doing over 200 km/h in the Porsche 911 RSR,” describes the tall German. The 1.029-kilometre stretch between track marshals 30 and 33 is over in a brisk 17.6 seconds. Despite constant cornering, the average speed lies at over 210 km/h. “We take the first right-hander in fourth gear, change up to fifth for the next two left-handers, then back down to fourth. It’s a real spectacle,” explains Bergmeister, who has contested 17 Le Mans races between 2002 and 2019. “If you want to be fast over an entire lap at Le Mans, you have set a very fast pace on the long Mulsanne straight,” emphasises the head of operations Alexander Stehlig. “We aim to reach over 300 km/h on the straights. This makes overtaking easier, and that’s important at Le Mans. To do this, the Porsche 911 RSR – like all other cars – is trimmed for very low drag. This means little downforce. It’s a dilemma, because we actually need maximum downforce, particularly in the fast Porsche Curves,” states the engineer. Why is the setup not adjusted to the requirements of the fast corners? The potential lap-time gain would never be able to offset the disadvantages of a slower pace on the long straights. “Based on the low downforce setup, we still have to ensure that the car is well balanced for cornering,” says Stehlig. “And that’s tricky because, through the Porsche Curves, drivers play with the throttle pedal. Sometimes they drive at half-throttle, sometimes they go full-throttle. That results in load changes and so-called pitching – where the front of the car sinks as soon as there’s less thrust. This shifts the aerodynamic balance forward. The car then turns in quickly, but this can easily lead to oversteer, and no one really needs that there. So we make sure that the aerodynamic baseline is as stable as possible and therefore the car remains predictable. That’s the key to success on this part of the track.” In the five curves, the speed fluctuates within the narrow range of 189 to 228 km/h. In each curve, the centrifugal forces reach 2.29 to 2.42 g. Other data also underscores just how fast the Porsche Curves are: The good one-kilometre-long stretch makes up 7.5 per cent of the entire lap. It takes the 911 RSR just 17.6 seconds to get through the five-curve combination at speed – which translates to around four per cent of the entire lap time, or an average of around 3:50 minutes for the GTE-Pro racers. In keeping with the name of this spectacular passage, speed is the trump card. Under normal conditions, the best place for fans to watch the action is from the nearby ferris wheel. “From that vantage point, everyone can see that it’s not simply about gentle sweeps. The Porsche Curves are tight, you experience brutal g-forces. From the cockpit, the barriers, which are often very close to the track, make the legendary passage look even faster. It’s a dream for real racers,” enthuses Bergmeister. “For me, driving through the Porsche Curves is like dancing with the car,” Gianmaria Bruni says about his experience. The works driver from Italy knows exactly how to master the world-famous passage at the absolute limit. In 2018, Bruni turned a sensational lap on the way to pole position. At the wheel of the Porsche 911 RSR, he lapped the 13.626-kilometre circuit in just 3:47.504 minutes – and promptly set a record for GTE vehicles. “When something like that works and you cover this part of the racetrack with its five corners in just 17.3 seconds, it’s hugely satisfying for us drivers. For me, there’s hardly a better feeling,” explains the three-time Le Mans class winner. “It only happens when everything comes together perfectly: Fresh tyres in the optimal operating window, ideal wind direction and no overtaking traffic in the Porsche Curves,” adds the Monaco resident. As soon as two vehicles meet in the fast passage, time will be lost. “When you encounter a slower car, it’s hard to get past. If it’s a prototype that overtakes you, downforce is lost for a moment, you get annoying understeer and at least two-tenths of a second go down the drain,” says Bruni. Since the vehicle has to be perfectly balanced through the Porsche Curves, understeer costs speed. Completely reliable turn-in is essential for the swift changes in direction at over 200 km/h – for safety reasons, as well. “The barriers and run-off zones were changed again and again in recent years, but the basic characteristics have remained almost the same. The Porsche Curves represent an old-school passage,” emphasises Jörg Bergmeister. “Which means, even with sealed run-off zones and the SAFER barriers, sliding off the track there will very probably result in a write-off. Therefore, a controlled attack is the key to the Porsche Curves.”

Nexen Tire Releases First Sustainability Report

Nexen Tire is pleased to announce the publication of its first Sustainability Report. The report outlines the company’s sustainable practices and environmental, social, and economic performance in 2019. Nexen Tire’s 2019/20 Sustainability Report has been published to provide shareholders with consistent and transparent information, highlighting the progress and long-term commitment to its sustainable practices. The report is based on standards of the Global Reporting Initiative (GRI), the United Nations Sustainable Development Goals (UN SDGs), and has been verified by the Korea Management Registrar (KMR), a third-party assurance institution. Nexen Tire’s has three core values – Challenge, Creativity, and Collaboration – to achieve its corporate philosophy. The Sustainability Report includes the company’s financial performance under the International Financial Reporting Standards (IFRS), as well as corporate ethics, labor and human rights, EHS (environment, health and safety), and supplier responsibilities based on the company’s CSR standards. In addition, Nexen Tire enhanced its CSR policy for purchasing natural rubber from regions including Southeast Asia and Africa by joining the GPSNR (Global Platform for Sustainable Natural Rubber). The company has also been participating in the Carbon Disclosure Project (CDP) in an effort to manage and reduce its impact on the environment. For instance, in 2019, Nexen Tire was able to reduce the waste generated from two of its major plants in Korea and recycle resources at a high rate of 97.2%. “Based on our 78 years’ experience, we are committed to implementing CSR activities and creating social value through continuously innovating and challenging ourselves,” said Travis Kang, Global CEO of Nexen Tire. The 2019/20 Sustainability Report is available for download on the Nexen Tire website at http://www.nexentire.com/international/company/csr_report

The 25th Busan International Film Festival Official Poster Reveal

The 25th Busan International Film Festival, held from Oct 21st (Wed) to Oct 30th (Fri), reveals its official poster. On September 11th (Fri), the Busan International Film Festival announced at its board meeting that it will not proceed with events such as the Opening and Closing Ceremonies, Red Carpet, Outdoor Greeting, and Open Talk in order to prevent crowds from gathering. The decision was made with the safety of audiences and citizens in mind. The Busan International Film Festival plans to focus on film screenings in strict compliance with the government’s preventive guidelines and ensure the safe operation of the festival. The 25th Busan International Film Festival’s official poster, announced under these circumstances, embodies the spirit of perseverance. The sculpture, representative of the Busan International Film Festival, stands tall above the Busan seashore and watches over the cinematic frontier. It is also reminiscent of a film projector, whose unwavering beam shines on despite hardships. The blue twilight that shrouds the poster represents all of us who awaken the new day with renewed hope. The poster was created by director Kim Sang-man. It is significant that this year’s poster is the first to be designed by someone currently active in Korean cinema. Kim wears many hats in the film industry: director, art director, and poster artist. Kim started out as the poster artist for The Contact (1997) and continued to create memorable posters for A Good Lawyer’s Wife (2003), Sympathy for Lady Vengeance (2005), and The Host (2006). He art directed Happy End (1999) and Joint Security Area (2000); and he directed Girl Scout (2008), Midnight F.M. (2010), and The Tenor – Lirico Spinto (2014). He recently gained attention for his poster design for Bong Joon-ho’s Parasite (2019). The 25th Busan International Film Festival will be held for 10 days from October 21st (Wed) at the Busan Cinema Center.
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